First thing’s first. This site isn’t strobist. As you’ll soon find out, I’m a long way from an expert in using my pair of Canon flashes for complex lighting. I’ve explored it a little, but not much.
I realize that this is a terrible waste and I’m a horrible person for letting the potential of my 2 highly sophisticated little lights go to waste, but that’s exactly why I’m amping up my experimentation now. As is often the case, friends usually end up being my early test subjects.
The perfect opportunity presented itself a few weeks back, when a friend asked if I could photograph the sustainable shelter that he and his girlfriend designed and built as part of the Schuylkill Center‘s Gimme Shelter competition.
The shelter has been photographed a few times already, most notably the time I handed my camera over and watched it climb 70 feet into a tree to capture this panorama:

Since there was no way in hell I’d do this and since it was already done, I figured on a more traditional shot. There are two “official” ground photos of the shelter. The first, commissioned by the Schyulkill Center, was produced by photographer Jack Ramsdale:

And the second by WHYY/Philly Weekly journalist, Peter Crimmins for an online story on the project:

I like the composition of both shots, but decided that with my own photo, I’d want to pull detail out from the interior of the shelter by lighting it up and eliminating the shadows. After thinking about that for a minute, I went on to decide that the interior light should be the predominant light in the photo… which meant a nighttime trip to the woods.
Recently I had a superwide lens rented for a dusk photo of a self-lighting outdoor art installation. That photo involved a sunset, a dozen homeless men and me standing on top of a 6-foot ladder with my camera on a tripod held perilously above my head as high as I could reach.
But anyway, by the time I was done with that and actually arrived at the shelter, the sun was gone and dusk was rapidly ceding to the darkness of a near moonless night. After quickly setting up my tripod and flashes, I made my first attempt.
I don’t have a wireless transmitter, so I put one flash on the camera and the other on the ground beneath the shelter, pointed up. I planned for a big burst from both, one to illuminate the exterior and the other to light up the interior, then a 2 or 3 minute bulb exposure to collect light from the sky and forest.
As expected, the results sucked. First of all, I had issues getting both flashes to fire. With one of them lying on the ground, it was out of the “line of sight” range. Secondly, with a dinky flash pointed at a subject with as much surface area as a Hummer, the lighting was grossly inadequate. I tried shining a small flashlight on the shelter during the long exposure, thinking I could paint light on like some real world photoshop mask, but the beam was weak and did nothing.
After a couple of feeble and useless adjustments, I scrapped my original idea and moved on to plan B.
I recomposed the shot and began a bulb exposure. With both flashes in hand, I walked into the middle of the shelter, hid behind a tree, and started firing them in all directions. Then I walked around the shelter, safely out of frame and fired the flashes directly at the exterior. The results were much better and even passable.


I spent the next 20 minutes refining my technique and trying different angles. At a point, I realized that total darkness was working against me and my best results were made while I still had a little ambient light to work with. Satisfied that I’d gotten a workable photo, I took a moment to listen to the sounds of the forest. I even climbed inside one of the other shelters and tried to make it glow:

I kept my eyes closed while firing the flashes, but even still I was a little blind after getting out of that orb thing. And that’s when it happened.
The human mind is a strange thing. It recognizes patterns where there are none. The brain’s pattern recognition ability is usually spot on, but when such a sensitive instrument is faced with limited information, it has a hard time distinguishing true signals from background noise. Aside from that, the brain has an even harder time controlling the emotional reaction associated with the perception of those unusual signals.
What I’m trying to say is that when I came out of the shelter, blinded by the light of the flashes, my mind created something in the contrast between the shadow of the forest and the mild burns in my retinas. What I saw was the form of a shadow-being darting quickly past me about 2 feet from where I stood. This momentary vision scared the shit out of me.
It was a hunched over human form and it moved very fast. No matter what your rational mind tells you, instinct screams at the body to flee from shadowy, fast moving forms running through the woods at night. With my business done and my heart rate elevated, I packed up and somewhat cowardly, got the hell out.
That’s all for now.








