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Monthly Archives: June 2009

Gimme Shelter, Gimme Light

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Filed under Photo, promotion

First thing’s first. This site isn’t strobist. As you’ll soon find out, I’m a long way from an expert in using my pair of Canon flashes for complex lighting. I’ve explored it a little, but not much.

I realize that this is a terrible waste and I’m a horrible person for letting the potential of my 2 highly sophisticated little lights go to waste, but that’s exactly why I’m amping up my experimentation now. As is often the case, friends usually end up being my early test subjects.

The perfect opportunity presented itself a few weeks back, when a friend asked if I could photograph the sustainable shelter that he and his girlfriend designed and built as part of the Schuylkill Center‘s Gimme Shelter competition.

The shelter has been photographed a few times already, most notably the time I handed my camera over and watched it climb 70 feet into a tree to capture this panorama:

panorama site complete_for postcard copy

Since there was no way in hell I’d do this and since it was already done, I figured on a more traditional shot. There are two “official” ground photos of the shelter. The first, commissioned  by the Schyulkill Center, was produced by photographer Jack Ramsdale:

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And the second by WHYY/Philly Weekly journalist, Peter Crimmins for an online story on the project:

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I like the composition of both shots, but decided that with my own photo, I’d want to pull detail out from the interior of the shelter by lighting it up and eliminating the shadows. After thinking about that for a minute, I went on to decide that the interior light should be the predominant light in the photo… which meant a nighttime trip to the woods.

Recently I had a superwide lens rented for a dusk photo of a self-lighting outdoor art installation. That photo involved a sunset, a dozen homeless men and me standing on top of a 6-foot ladder with my camera on a tripod held perilously above my head as high as I could reach.

But anyway, by the time I was done with that and actually arrived at the shelter, the sun was gone and dusk was rapidly ceding to the darkness of a near moonless night. After quickly setting up my tripod and flashes, I made my first attempt.

I don’t have a wireless transmitter, so I put one flash on the camera and the other on the ground beneath the shelter, pointed up. I planned for a big burst from both, one to illuminate the exterior and the other to light up the interior, then a 2 or 3 minute bulb exposure to collect light from the sky and forest.

As expected, the results sucked. First of all, I had issues getting both flashes to fire. With one of them lying on the ground, it was out of the “line of sight” range. Secondly, with a dinky flash pointed at a subject with as much surface area as a Hummer, the lighting was grossly inadequate. I tried shining a small flashlight on the shelter during the long exposure, thinking I could paint light on like some real world photoshop mask, but the beam was weak and did nothing.

After a couple of feeble and useless adjustments, I scrapped my original idea and moved on to plan B.

I recomposed the shot and began a bulb exposure. With both flashes in hand, I walked into the middle of the shelter, hid behind a tree, and started firing them in all directions. Then I walked around the shelter, safely out of frame and fired the flashes directly at the exterior. The results were much better and even passable.

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I spent the next 20 minutes refining my technique and trying different angles. At a point, I realized that total darkness was working against me and my best results were made while I still had a little ambient light to work with. Satisfied that I’d gotten a workable photo, I took a moment to listen to the sounds of the forest. I even climbed inside one of the other shelters and tried to make it glow:

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I kept my eyes closed while firing the flashes, but even still I was a little blind after getting out of that orb thing. And that’s when it happened.

The human mind is a strange thing. It recognizes patterns where there are none. The brain’s pattern recognition ability is usually spot on, but when such a sensitive instrument is faced with limited information, it has a hard time distinguishing true signals from background noise. Aside from that, the brain has an even harder time controlling the emotional reaction associated with the perception of those unusual signals.

What I’m trying to say is that when I came out of the shelter, blinded by the light of the flashes, my mind created something in the contrast between the shadow of the forest and the mild burns in my retinas. What I saw was the form of a shadow-being darting quickly past me about 2 feet from where I stood. This momentary vision scared the shit out of me.

It was a hunched over human form and it moved very fast. No matter what your rational mind tells you, instinct screams at the body to flee from shadowy, fast moving forms running through the woods at night. With my business done and my heart rate elevated, I packed up and somewhat cowardly, got the hell out.

That’s all for now.

New Gallery: Philadelphia Eagles

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Filed under Philly, Photo

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Every year, the Mural Arts Program teams up with the Philadelphia Eagles to build a playground and paint a mural on a Philadelphia public school.

I’ve been hired by Mural Arts for the last 3 “Eagles Day” events. While there are a good bunch of player shots in my online gallery, I took fewer than in past years. For Mural Arts, the Eagles are secondary to the painting and the kids and my event coverage reflects that. Even still, I’ve thrown in plenty of them, so all you fans should be appeased.

This year’s school was Potter Thomas in West Kensington. For a full gallery of photos, CLICK HERE.

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Fling with 16mm

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Filed under Photo, general

From Friday afternoon through Sunday morning, I had a brief fling with a high price piece of glass: the Canon 16-35 f/2.8 L lens. I rented it for official work, but found some time on Sunday night to take it up to the Art Museum steps for a little pure recreation. With the annoying “Cezanne and Beyond” banners gone, I got some nice, unobstructed superwide shots of the famous facade.

More importantly, I got a few interior column shots that I’ve always wanted to try, but never had the glass for. Enjoy:

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Travel By Septa

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Filed under Philly, Photo, general, news, political, promotion, satire

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FOR A FULL GALLERY OF PHOTOS CLICK HERE, or read to the end… there’s another link there.

* This is a cross-post with Phillyskyline.com’s Independence Pass series. The project sent 5 photographers across Philadelphia with an all day, all access Septa Pass. There were no rules except to travel by Septa, take photos and return to base by 6PM.

Cars are made for destinations. You pick a place and you go there. Public transit is made for exploration. You pick a place and follow a network of asphalt and rail until you get close enough that you can get off and walk the rest of the way. My approach was a little different from that of Steve Ives or Chris Dougherty. For better or for worse, I took virtually no photos while riding Septa or waiting at its stops. My intention was to go to an area and wander.

Here’s a set of loose rules that I made for myself:

- Stay within city limits.
- Visit places you’ve never been, or never explored on foot.
- Cover a lot of ground.
- Ride the 23 from end to end.
- Eat good food along the way.

Here’s how it worked itself out:

From 12th and Market I walked underground to City Hall, where I caught the el to Frankford Terminal. The highlight of the trip was a conversation with a 60+ year old man sitting in front of me. We talked about electric cars, flying cars and killing people for a $500 debt. He flashed me a thick wad of hundreds to illustrate his killing people over money story, and as we both got off at Frankford Terminal he left me with the advice “don’t get pussy whipped.” It was 9:30 in the morning and he was pretty drunk.

From Frankford Terminal I hopped the 58 to my first destination: the Russian neighborhood in the far Northeast. Even as a native Philadelphian, I know virtually nothing about the Northeast and even less about the Russian district. Following the advice of Wikipedia, I got off at Bustleton and Grant and headed north.

In my mile or so hike through Bustleton, I found a couple Russian heavy strip malls, browsed a grocery store that sold veal brains, giant cans of wild mushrooms, whole pickled apples and 100 kinds of sausage/smoked fish. I hung around until noon, when a restaurant I’d been eying opened. There I got a deep fried meat crepe and zucchini cakes. Both were good, but a little bland. The only other people in the restaurant were a group of well dressed and surly looking Russian men, drinking vodka and looking generally unfriendly to the idea some jackass with a camera. Heeding legends of the Russian mob, I decided not to photograph them or anything near them. I left my camera in the bag as I waited for my lunch.

After getting my pants covered in crepe grease, it was on to the second leg of my journey. I hopped back on the 58 and rode it to Bustleton and Cottman. From there I walked to Cottman And Torresdale. In my limited knowledge of the Northeast, I think of Cottman Avenue is some kind of divider between lower and upper, greater and lesser . . . something or other. I thought that skirting the border would make for some interesting contrasts and was right. The 2 mile trek made for some good photos.

For Toynbee tile fans, I should also note that there are 4 tiles along that stretch of Cottman Ave. Cottman and the Boulevard, Cottman and Frankford and 2 large ones at Cottman and Torresdale.

The walk worked my appetite back up, so I got on the 70 and rode clear back across the city, briefly into Cheltenham and eventually to the third leg of my trip: Olney. I got off at 5th and Godfrey and made my way down towards Olney Avenue a mile or so away.

I was just south and/or west of the Korean bbq’s where I’d wanted to eat, and most of the restaurants I did find were closed anyway. At 5th and Olney I changed up my plans and stopped into a small Caribbean spot for some chicken roti and fresh grapefruit juice. The bread was homemade, the flavor mild but excellent and the in-store DJ a nice touch.

From there, I started down Olney Avenue towards the R8 stop at Mascher Street, but after a couple blocks spotted a 26 and caught that instead. The bus was crowded, but the ride to Broad Street was less than 5 minutes. At Broad and Olney, I hopped the L bus to the top of Chestnut Hill. After a pit stop at the Borders bathroom and culture shock at the ridiculous wealth of the Hill, I was back on my way.

Which brings me to the 23:

Even though I took almost no photos ON the buses and trains, my 100 minutes on the 23 deserves some deeper acknowledgment. Starting in one of the richest neighborhoods in the city, the bus descends into middle class Mount Airy and working class Germantown.

By the time we hit Germantown and Chelten in downtown G-town, the bus was packed and sounded like a party. Music was playing, people laughing, food and drink flowed freely, some dude with no shirt got on… The fun lasted to Wayne Junction. Next come the Nicetown and Logan neighborhoods, where the the stability of the northwest begins to lose its grip. Somewhere across Broad and Erie, it drops off a cliff.

I say this reluctantly and as someone with only a tenuous right to judge, but Fairhill is a wreck. Tenth street between Germantown and Susquehanna is like some shell of a former civilization. I say this as someone who’s been to every non-northeastern corner of this city. Last week I spent the day at 6th and Indiana and felt a lot of optimism for the West Kensington neighborhood formerly (and recently) known as “The Badlands.” But a few days later exactly 4 blocks to the west, I look out a bus window of the 23 at upturned sidewalks, shells of houses, garbage, decay and deserted streets and just about lose hope for the city and for humanity as a whole.

Things improve as the bus rolls up 12th street towards the shimmering decadence of Center City, but the damage is done. I now see Center City as that same post apocalyptic landscape . . . just one covered in a thin veneer of temporary affluence. A rehabbed building can become a shell too easily. The cracks in the corners can and will spread until the building, the street and the entire city is consumed. It takes almost nothing to tip the scales from wealth to poverty to total collapse. The line is thin and easy to cross.

My pessimism eventually gave way somewhere near Washington Avenue. My mood change probably had something to do with the fight against entropy that new blood brings. In upper South Philly, Asian and Central American immigrants have brought plenty of new energy and have wasted no time in putting it to use, rehabbing buildings and opening new businesses.

At 10th and Oregon, just a few blocks shy of the end of the 23, something compelled me to abandon the bus and take a walk around deep South Philly. I was running a little late on the 6PM deadline, but wanted to take one last walk on what was turning into a perfect summer evening. The walk was worth it. At 9th Street, I was hired on the spot to take photos for a new cell phone store and its owner, Stanley. At 10th, I ran into a block party, where people were playing halfball. Honest to god halfball! But I was running late.

The last part of my trip was an unceremonious ride up Broad Street on the Orange Line. At City Hall, I walked off the train and officially closed the circle.

<<<<<<<<<<<<<<<<<<<<FOR A FULL GALLERY OF PHOTOS CLICK HERE>>>>>>>>>>>>>>>>>>


Welcome to the New Site: soft launch edition

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Filed under Photo, general, promotion

Welcome back to the dovate blog…  now located at steveweinik.com. What’s with the change? Mostly I wanted to confuse people by moving a site with a made up meaningless name (dovate) to a new one with a hard to spell and impossible to remember one (steveweinik).

Actually, no. My old site, dovate.com existed for years as a place to show my photography and share my writing. About a year ago, I decided that I wanted to build something more professional… a place where I could more confidently direct clients and potential clients in my expanding freelance photography business. I bought the domain steveweinik.com, because as every photographer will remind you: “Your name IS your business.”

As I set off to build a photography site, I did a lot of research. It didn’t take long to discover that I absolutely hated 90% of the sites out there. Falsh menus, overdone animations and violin heavy muzak… these are the staples of most photo sites and I hate every single one of them.

On top of this, they’re also fairly static. Outside of whatever superfluous bells and whistles a flash designer crapped it up with, most photo sites are pretty dull. I’m not saying that the photography shouldn’t and doesn’t speak for itself… that’s not the issue.

What I asked myself was: what photo sites do I visit more than twice a year? The answer is simple. I visit sites attached to opinions, discussions, behind the scenes articles, interactive features, galleries and frequently updated content. That’s what I wanted to build here.

The steveweinik.com main site is built on a joomla framework. With the soft launch, a dozen or so galleries have been added using the ignite gallery module. Many more galleries will be added. What you see now, is just an early sample, so keep checking back. Also fell free to browse, register, comment, rate, complain or whatever.

Aside from the main site, I also wanted a wordpress blog… which is sort of why you’re reading one.  Since I sure as hell don’t have time to manage the dovate blog AND a new one, I had to make a compromise. The blog at dovate.com will no longer be updated. But as you’ve probably noticed, pretty much all of its content has been moved here. The format at this new site will be generally photography centered and posting will be both less frequent and more intentionally thought out.

At this point, I’d say the loose thesis of this new iteration of dovate is: the life and times of a 30-year-old Philadelphian who currently makes roughly 1/3 of his income shooting events, performances, press conferences, products or whatever else he wants or is paid to make pretty and interesting pictures of.  That’s all for now.