I’ve hinted a few times that I’m part of an upcoming show this First Friday. Now that it’s only a few days off and I’m confident that it’s actually happening, here’s how it’s going to go down:
Who: Photographers, Tony Gaye, Jack Ramsdale, Steve Weinik
What: 15 photos, 16×20, or 16×24 prints, $150. The 3 photographers listed above were commissioned by the Mural Arts Program to produce 5 photographs of Philadelphia murals in the context of their larger environments. Instead of making the mural the dominant center of a photo, how could it be made part of a larger composition? How do the walls fit into the neighborhood and into the city?
When: Opening Reception Friday September 4, 5PM-8PM
Where: Salt Gallery, 212 Race Street.
Why: Why Not?
Preview:
I had the opportunity to see all the final prints and they look great. I’ll write a couple sentences on my first impressions:
Tony Gaye: Tony’s mural photos are all produced in HDR. Several photos are taken at varying exposures and are built into a single composite, giving them otherworldly sense of light and texture. Metal surfaces are especially suited for the technique and Tony included them in most of his shots. Highlights are Frank Rizzo in the Italian Market and Wall of Rugs at the North Broad Street Station.
Jack Ramsdale: Jack has produced 95% of the mural photos that you see form Mural Arts. Jack is a master of architectural photography and always produces immaculately clean images with perfectly straight lines. Buildings and the murals on them are pulled into perfect, elegant perspective. Highlights include Lincoln Legacy II on 8th and Ludlow and Tribute to the Flag on Delaware Ave.
Steve Weinik: Last but not least are my photos. Compared to Tony and Jack, my shots are dirty. I tried to capture the strange magic of the city, whether it be a couple of guys sitting on the stoop of an Adult bookstore under the El or a view of 7 murals from the top floor of Liberty I.
Since they’re my photos, I can also give you an example. With Philadelphia Muses at 13th and Locust, I tried creating an HDR image like Tony, but I wasn’t happy with it. I also tried narrow aperture, low ISO exposures for clean images and pretty streetlights, but felt that the shot was missing something essential… the life of the city.
Then I remembered all the money I spent for a camera that kicks ass in low light, cranked up the ISO, opened up my lens and shot at the fastest shutter speed I could. It left the background soft, but captured the mood that I was looking for. Click to enlarge:

Hope to see you there.








